Wednesday, October 14, 2009

zhu zhu pet hamsters



Zhu Zhu Pet Hamsters is the hottest Christmas 2009 toy, available at Walmart and Toys R Us. The furry little smart pets are already creating a stir.

they are available for roughly $25-$30 now at Amazon.

Description of the toy mentioned on the box: Zhu Zhu Pets are the world’s first innovative, realistic, interactive, plush, and artificially intelligent hamsters that talk and move around in their own playsets. Zhu Zhu Pets include two play modes: nurturing mode where the hamsters coo and purr, and adventure mode where the hamsters explore their habitat with intelligent audio and mechanical responses to various habitat stimuli. Over a dozen add-ons can be purchased to build an ever-evolving hamsterworld for your hamsters to play in and explore. Zhu Zhu Pets are the newest craze among kids and expected to be the most popular toy of the year!

Saturday, January 24, 2009

rastafarian

Rastafari movement
The Rastafari movement (also known as Rastafari, Rastafarianism or simply Rasta) is a monotheistic, Abrahamic, new religious movement that accepts Haile Selassie I, the former Emperor of Ethiopia, as the incarnation of God, called Jah or Jah Rastafari. Haile Selassie is also seen as part of the Holy Trinity and as the returned messiah promised in the Bible.
Other characteristics of Rastafari include the spiritual use of cannabis rejection of western society (called "Babylon"), and various Afrocentric social and political aspirations, such as the teachings of Jamaican publicist, organizer, and black separatist Marcus Garvey (also often regarded as a prophet), whose political and cultural vision helped inspire Leonard Howell to develop the foundations of this new world view. The Rastafari movement predomiantly emerged in Jamaica in the 20th century, and it proclaims Africa as the original place where the body of the first man was found, which established independency among blacks.
The name Rastafari comes from Ras (literally "Head," an Ethiopian title equivalent to Duke), and Tafari Makonnen, the pre-coronation name of Haile Selassie I. Rastafari is commonly called "Rastafarianism", but this term is considered derogatory and offensive by Rastas themselves.rastafari, jah, rasta, rastafarianism, dreadlocks

Friday, January 23, 2009

road to perdition

Nuri Bilge Ceylan : the road to perdition

After director Nuri Bilge Ceylan’s third successful return from the Cannes Film Festival — this year having received the best director award — everyone has been anxiously expecting his "Üç Maymun" (Three Monkeys) to hit the national cinema screens.catch me if you can, carl hanratty, frank abagnale jr., frank abagnale jr, michael sullivan
This week the wait is over and, even better, Ceylan and his producers have launched an alternative distribution strategy, the first of its kind in Turkey. Fifteen movie theaters in Turkey, all owned by the Cinebonus chain, will release the film in digital, showing the film in its original digital format as opposed to the normal 35 mm prints. This might not mean much for filmmakers and audiences used to making and watching films shot on reels, yet this is a revolutionary step in light of the cost reduction of digital filmmaking: No more hefty transfer costs associated with traditional 35 mm prints.
But let’s get to the heart of the matter. Particular viewers nauseated by Ceylan’s languorous story-telling style despite his virtuoso photographic eye in his previous "İklimler" (Climates) will be relieved to know that "Three Monkeys" is a work which takes the director’s narrative maturity to a higher level without having to depart from his trademark visual style of capturing "emotionally desperate characters standing alone in beautiful and haunting landscapes." This time we have a full-fledged story co-written by wife Ebru Ceylan and actor Ercan Kesal which is as powerful as the director’s notorious cinematography.
It is summer 2007, İstanbul. A man is driving down a narrow forest road. With dark bags around his eyes, he is on the brink of falling asleep at the wheel. Off-screen we hear a loud crash. He has run over a pedestrian. He calls someone, asking them to assume responsibility. It turns out that the real perpetrator is a politician called Servet (Ercan Kesal) and the guy to assume responsibility for the accident is Eyüp (singer turned actor Yavuz Bingöl), his driver. Servet proposes to provide Eyüp’s salary to his wife and their 18-year-old son while Eyüp does time. The deal is made, all is sworn to secrecy. While Eyüp is in jail, his wife, Hacer (Hatice Aslan), and their son, İsmail (Rıfat Sungur), seem to merrily continue their lives with Eyüp’s fixed salary. But there is something utterly wrong in the air. Hacer and İsmail have a major communication problem. They stop regularly visiting Eyüp in jail and Hacer begins an affair with Servet. Even worse, there’s the image of a half-dead child floating about in İsmail’s memories. When Eyüp finally gets out of jail, all seems to go out of control as the family begins to drown in a vortex of guilt, grief and anger.
Like always, Ceylan’s style is subtle; an ethos and state of being that he has fully succeeded in passing on to his actors. Each character is aware of its major flaw but has mastered the art of disguise and repression. Emotions are never voiced but they are fully readable from the destitute expression and trivial interactions of these characters. And like most cases of repression, an explosion is on the way.
Aslan is especially magnificent as she portrays Hacer, possibly the most desperate yet powerful person in the story. She is a woman tired of being trapped in her poverty-stricken life surrounded by domineering males, whether it be her husband, son or lover. But her only outlet is the seductive power she tries in vain to exercise on them, which results in her own destruction. She is beautiful for her age, but her eyes show the psyche of a woman who suffers from obsessive compulsion and failure. It is almost the same case with the young İsmail, whom Sungur performs with a forceful frailty that can unpredictably transform into wrath in a split second. Even before the father goes to jail, this is a family whose members are already lost souls and their attempts to find any sort of meaning in their broken lives is what allows us to engage.
In this film Ceylan’s visuals do not dominate the story, but complement it. For sure, the viewer will become astounded by the depth of field of the director’s master shots, the rich color scheme of his digital palette, his talent in framing (Ceylan continues his works of still photography), his use of derelict geographies — this time İstanbul’s district of Yedikule. But all these devices find new meaning with the story arc which could have been adapted from a novel. In one sequence in particular we see Hacer and Servet in the middle of a tense confrontation set on the top of Yedikule’s famous hilltops with the hovering sky and endless sea in the background. The boundless scenery is just an illusion, as is the case with the "sincere" relationships the four main protagonists believe they are experiencing. The infinity of the background makes it even sadder to watch the entrapment of the foursome within their own lies and shortcomings.
"Three Monkeys" is truly the most ambitious piece of work that Ceylan has brought forth. It is gut wrenching, wonderfully disturbing and awe inspiring. He has become a pioneer in Turkish cinema, not just technically but also as a storyteller.catch me if you can, carl hanratty, frank abagnale jr., frank abagnale jr, michael sullivan

Friday, January 2, 2009

the hand that rocks cradle

The hand that rocks the cradle
January 1st, 2009 / No Comments
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What keeps us going when diapers, laundry and Candyland gets old?
To keep the big picture amidst the mundane, this poem published in 1865 reminds us of our calling. The oft-quoted line “The hand that rocks the cradle is the hand that rules the world” is still true today.
Mark this post and come back to it often. Whenever you feel tired, remember that you have the most important job in the world.The Hand That Rocks the Cradle by William Ross Wallace
Blessings on the hand of women!Angels guard its strength and grace,In the palace, cottage, hovel,Oh, no matter where the place;Would that never storms assailed it,Rainbows ever gently curled;For the hand that rocks the cradleIs the hand that rules the world.
Infancy’s the tender fountain,Power may with beauty flow,Mother’s first to guide the streamlets,From them souls unresting grow–Grow on for the good or evil,Sunshine streamed or evil hurled;For the hand that rocks the cradleIs the hand that rules the world.
Woman, how divine your missionHere upon our natal sod!Keep, oh, keep the young heart openAlways to the breath of God!All true trophies of the agesAre from mother-love impearled;For the hand that rocks the cradleIs the hand that rules the world.
Blessings on the hand of women!Fathers, sons, and daughters cry,And the sacred song is mingledWith the worship in the sky–Mingles where no tempest darkens,Rainbows evermore are hurled;For the hand that rocks the cradleIs the hand that rules the world.rebecca de mornay, bobby cannavale, fhm mythbusters, kari byron fhm, fhm kari byron

Wednesday, December 31, 2008

new years eve 2009

FNMTV Presents: A Miley-Sized Surprise … New Year's Eve 2009Pop duo the Veronicas and electro rockers Metro Station perform, but the star of MTV’s New Year’s Eve special is clearly Miley Cyrus. The teen superstar shows up at the door of one of her fans and puts on a concert in the bedroom. Oh, and her brother Trace is in Metro Station. Coincidence? MTV, 8 p.m. to 9:30 p.m. new years eve, new years eve 2008, new years eve 2009 nyc, new years eve 2009 dc, san diego new years eve 2009

Friday, December 26, 2008

boxing day

Boxing Day Is for Giving

ASK most British people what Boxing Day is for, and they will answer, “It’s the day the sales start.” Or, possibly, the day for “visiting the rellies” — Brit-speak for relatives. Ask an Irish person and you will get a history lesson on Christian saints and martyrs, reminding you that it is St. Stephen’s Day in Ireland. Ask an American, of course, and the answer is: “Boxing what?”
Boxing Day, usually thought of as Dec. 26, but technically the first weekday after Christmas, has a distinguished pedigree in Britain, and during this time of economic crisis, it is good to be reminded of it. It is on Boxing Day, after all, on the “feast of Stephen,” that “Good King Wenceslas” looked out and saw the snow, “deep and crisp and even.” The cold was notable not for its beauty, but for the hunger that it brought with it. The king calls for food, wine and “pine logs” not for his own feast, but that he and his page may “bear them thither” to give to the poor.
In Britain, post-Reformation amnesia over saints’ days saw St. Stephen’s Day renamed, but even “Boxing Day” is a reminder that the day is one for charitable giving. Maundy Thursday, at Easter, is for charity from the great (the queen still hands out what are today Maundy coins of a small but symbolic value, but were once very real money — alms for the poor people); Boxing Day, in contrast, is for giving from everyone.
In the 19th century, the “boxes” of Boxing Day were either literally boxes of gifts or money, given by employers to staff and servants. On Boxing Day 1872, Hannah Cullwick, a maid-of-all-work, the lowest kind of household drudge, wrote in her diary, “I go round every year to the master’s or missis’ tradesmen and ask for Christmas boxes, and they mostly give me a shilling or half a crown.” (Half a crown was two shillings and sixpence, or perhaps two days’ pay for a lowly live-in servant.) She and her fellow servants were given this money by the shopkeepers as a thank-you for bringing the household’s business — and as an inducement to keep shopping there in the new year.
Servants also expected a tip from the guests who visited their employers at Christmas — and from today’s perspective no tip could be too much for the drudgery involved. Cullwick recorded working from 6 a.m. to 4 a.m. to create the “family” Christmas her employers expected: she cooked for nearly 50 people on Christmas Eve and 20 the following day — with one person part-time to help her. As a treat, she was allowed to “run up” from the basement to stand in the hallway and watch some of the amateur play that the guests put on. She added wistfully, “I often think what a most delightful pleasure that must be, going home for Christmas, but I’ve never once had it.”
By definition, before the last third of the 19th century, seasonal presents were Boxing Day gifts, and a “box” was a present from a superior to an inferior, whether in social status (employer to servant) or age (parent to child). Presents were a favor conferred, an act of benevolence — even to a child; they were not something exchanged between equals. When in 1841 it was noted that Queen Victoria’s new husband liked “the agreeable accompaniment of Christmas presents,” his childlike (servant-like?) taste was odd enough to comment on. At mid-century, the great Lewis’s of Liverpool department store sold ready-made Boxing Day parcels for employers to give to servants like Hannah Cullwick: “Seven yards of double-width black merino, two yards of lining, one striped skirt and half a dozen linen handkerchiefs” — in other words, the materials for the servants to sew their own uniforms.
Presents were equated with charity. New Year’s treats had long been organized for the poor; in the 19th century many workhouse or laborers’ New Year’s dinners were held on Boxing Day, after the family had had its own celebrations. The main thrust of these events was that the day was not one to satisfy your own needs, but those of others.umoja, boxing day, boxing day events, boxing day sale, boxing day sales

raelian

Silverado in brief

Airport officials deny Raelian claims
McCarran International Airport officials are denying claims that the religious group the Raelians were the victims of religious discrimination during an incident Dec. 6.
Raelian officials said in a news release issued Dec. 8 that they were escorted out of the airport under the threat of arrest by Metro Police officers without having done anything to provoke their removal.
McCarran spokesman Chris Jones disputed that claim.
“The Raelian group was not escorted out of the airport,” he said.
Jones said group members refused repeated requests to move so as not to impede foot traffic, but that after the arrival of the person for whom they were waiting the group proceeded unescorted to baggage claim.
“After their bags were collected, the Raelian group left the airport under no duress from McCarran personnel or police,” Jones said.